
The premise is simple: a liquor store owner comes across a nondescript case of what appear to be liquor bottles in his cellar, labeled "Viper". Seeing an opportunity to profit from the large homeless population, he decides to sell it to the local hobos at $1 a bottle. Unbeknownst to him, the bottles are actually toxic waste.
We meet our homeless anti-hero, Fred (Mike Lackey), as he sneakily steals a bottle of Viper. The first-person camera angles in the beginning are well-done, and very typical of the era. Fred ends up being chased, and as it progresses, he accidentally wrongs more and more people along the way, leading to a comical mob on his heels. Fred appears to be a bit of a jokester, dressed like some sort of filthy poet-type with a velvet burgundy hat.


As though the Viper isn't trouble enough for the local bums, Bronson appears to be prone to some pretty ridiculous war flashbacks, and bouts of murderous rage. Bill (Bill Chepil), a brash and avant garde cop, is hot on his trail, seeking to piece together these recent deaths.

A large number of the local bums populate a city junkyard. Bronson rules it and his rag-tag group of homeless vets, from atop his makeshift throne of trash, while Fred and his kid brother Kevin (Mike Sferrazza) try to lay low and avoid the junkyard's owner. Wendy (Jane Arakawa), an Asian employee of the junkyard, has taken to caring for the younger kids like Kevin. Fred doesn't seem to like it, and has a few choice words for Kevin; it is easy to say Street Trash is pretty racist, and the dialogue supports this, but there is a surprising underlying message in this movie. Fred opens up to Kevin about how he was too young to remember dealing with their father after he came home from the war, and was unable even to "watch Godzilla without yelling 'Gook alert'".
Fred and Kevin are products of the social effects of the Vietnam War, as are Bronson and the whole slew of other vets that came back too screwed up to reintegrate in society, and this movie highlights the lack of realistic support available to these individuals. They were greatly ignored and swept under the rug, to go live on the streets.

Bronson does have a flashback/dream about the war, where he was apparently a big-shot soldier; some pretty stereotypical Vietcong vampires (as they are referred to in the credits, which are worth reading through) attack him. It is a pretty funny sequence, if not a little dark and offensive.



Bill the Cop ends up having an inevitable show-down with Bronson, the human femur-bone knife wielding PTSD-having vet; this more-or-less sets off the chain of events that lead up to the finale.
A couple more good Viper fatalities play out, and someone gets his block knocked off by a pressurized air tank. It is hard to find fault with this movie, unless you hate profanity and the overblown racist tendencies of some 80s movies... watch it and see for yourself. If for no other reason, than to see Bronson hack off the weenie of a bum that almost pees on him, and the subsequent game of keep-away the bums play with it.
Apparently the writer, Roy Frumkes (who had a cameo as the melted businessman), wrote a memoir/making-of type film about Street Trash almost twenty years later, The Meltdown Memoirs. It's on my watchlist, we will see if I update this later.
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